Don’t Worry Darling

Review by Eve Smith In the opening scenes of the sun-bleached Americana-world of Don’t Worry, Darling (Olivia Wilde, 2022), life seems a little too good to be true. Women in swing skirts smile and wave their husbands off to work in a technicolour coordination that looks like it could be a colourised 1950s infomercial. And

The Case for Best Picture: Little Women

Written by Niamh Muldowney Looking at the Best Picture nominees for this year’s Academy Awards, all the films are filled with Big Stories. Be that an origin story for arguably the most iconic comic book villain, a 210-minute gangster epic from one of the most celebrated directors currently working, or a single shot war film